Elizabeth portraits
Elizabeth I
was expert at what we now call public relations, and she was careful to control
the distribution of images of herself. Elizabeth often only wanted portraits
that portrayed her as youthful, demonstrated her love for her country, her
people and her own strength as Queen. Portraits from within this period are
full of Renaissance symbolism
THE ARMADA
PORTRAIT
The Armada
Portrait is a statement of power and authority with Queen Elizabeth I portrayed
as Empress of the world and commander of the seas.
This is
probably the most iconic portrait of Elizabeth the Virgin Queen. Her hand
is firmly on the globe which shows her power is beyond England but across
the world. The Imperial crown reflects her power, position, royalty and
majesty, also her equality with the Holy Roman Emperor and her status as
Empress of the world; whilst the mermaid hints seen in the window portraits
behind her show her as command of the seas. Her dress, is in her preferred
colours of black and white, also proclaims her wealth and class and is covered
with her favourite gems and precious pearls from the sea, a sign of virginity.
Rainbow portrait
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This idealized portrait of Queen Elizabeth of
England by Isaac Oliver was painted around 1600, a few years before
she died.

A jewelled serpent is entwined along her left arm, and holds
from its mouth a heart-shaped ruby. Above its head is a celestial sphere. The
serpent symbolizes wisdom; it has captured the ruby, which in turn symbolizes
the queen's heart. In other words, the queen's passions are controlled by her
wisdom. The celestial sphere echoes this theme; it symbolizes wisdom and the
queen's royal command over nature.
Elizabeth's right hand holds a rainbow with the Latin
inscription 'Non sine sole iris' ('No rainbow without the sun'). The rainbow
symbolizes peace, and the inscription reminds viewers that only the queen's
wisdom can ensure peace and prosperity.
Ref = http://www.gogmsite.net/
ca. 1600 "Rainbow" portrait by Isaac Oliver
(Hatfield House, Hatfield UK)
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